Theatre in the Age of Digital Reproduction Opportunities and Risks of Digitalisation and the Use of New Media in the Performing Arts

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dc.contributor.advisorMeelberg, V.
dc.contributor.advisorNieuwenhuis, I.B.
dc.contributor.authorSalamon, O.A.
dc.date.issued2019-08-31
dc.description.abstractDigitalisation and globalisation are changing our lives, our everyday work and our free time. However, what does that mean for the arts and in particular for theatre, which is often regarded as the mirror of society? In previous decades the use of digital technology at theatres was limited to the control of light or sound. If one looks at the opera and theatre landscape today, it becomes clear that opera and theatre have become a multimedia phenomenon. Since the first performances in the 17th century, theatre and its performance practice have changed significantly. Today, the performing arts have become a spectacle that takes place on television, in public places, on the internet, and in cinemas. Digitalisation, for example, offers opportunities to present and make the cultural assets of museums, libraries, and even theatres accessible around the world.en_US
dc.embargo.lift10000-01-01
dc.embargo.typePermanent embargoen_US
dc.identifier.urihttps://theses.ubn.ru.nl/handle/123456789/8671
dc.language.isoenen_US
dc.thesis.facultyFaculteit der Letterenen_US
dc.thesis.specialisationArts & Culture Studiesen_US
dc.thesis.studyprogrammeBachelor Algemene Cultuurwetenschappenen_US
dc.thesis.typeBacheloren_US
dc.titleTheatre in the Age of Digital Reproduction Opportunities and Risks of Digitalisation and the Use of New Media in the Performing Artsen_US
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