The Lost-Artist. An exploration of the intra-actions among the meaning-making flows of affect within the painting-event

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dc.contributor.advisorMunteán, L.
dc.contributor.advisorMeelberg, V.
dc.contributor.authorBakker, C.E.
dc.date.issued2020-12-21
dc.description.abstractThis thesis sets out to research what flows of affect occur in the painter/painting assemblage. It explores the movements of the painter/painting assemblage through time in the painting-event. It utilizes New Materialist and Posthuman theory and methodology to explore in what way the material, semiotic, and social flows of affect intra-act and articulate themselves in the painting-event. It does so by exploring what the painter and painting do rather than what they are. The thesis tries to give insight into the inner workings of ontological meaning-making of the painting-event. It explores the articulation of material mattering through the painting-event and maps in what way the act of painting finds consistency in the unknown. In doing so, it demonstrates that the intra-actions between the meaningless meaning of the social flows and the mattering matter of the material flows articulate the painting and the painter. Key concepts: intra-action, flows of events, assemblage, differing, meaningless, unknown, infrathin, negative prehension.en_US
dc.identifier.urihttps://theses.ubn.ru.nl/handle/123456789/10181
dc.language.isoenen_US
dc.thesis.facultyFaculteit der Letterenen_US
dc.thesis.specialisationKunstbeleid en kunstbedrijfen_US
dc.thesis.studyprogrammeMaster Kunst- en Cultuurwetenschappenen_US
dc.thesis.typeMasteren_US
dc.titleThe Lost-Artist. An exploration of the intra-actions among the meaning-making flows of affect within the painting-eventen_US
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