Space, Belonging and Identity in Outlander
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2023-08-15
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en
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In this thesis, I suggest that the space of Scotland created by the TV series Outlander based on the novels of Diana Gabaldon, is a mystical space of belonging and cultural identity turned towards a romanticised past. The strength of this space lies in the fact that it creates a powerful emotional connection for 21st century viewers who are then drawn to make the pilgrimage to Scotland and personally experience the Outlander universe. First, I offer an examination of my suggested theory of ‘space’ and then focus on precursors to Gabaldon whose literary works also drew visitors to Scotland and its romanticised history. Second, I analyse how this concept of ‘space’ can be applied to understanding the power of various narrative locations. Third, I study the use of Scottish material and non-material culture and how they enhance the emotional connection of fans to this space of cultural identity and visceral belonging to Scotland. Finally, I explore how the Outlander effect has influenced Scottish heritage and tourism.
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