Reflecting New Sincerity: Aesthetic and Effect in Wes Anderson’s The Grand Budapest Hotel (2014)
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The thesis discusses the meaning of new sincerity and explores the role of new sincerity in current artistic practices through the visual analysis of Wes Anderson’s recent film the Grand Budapest Hotel (2014). Based on the current academic discussions about Wes Anderson’s works, the thesis choose framing, colour and performance as the research objects of Anderson’s film aesthetics and explain their relations with new sincerity.
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