Shaping the accidental: toeval en controle in de cameraloze fotografie van Wolfgang Tillmans
| dc.contributor.advisor | Weijers, W.J.G. | |
| dc.contributor.advisor | Baetens, J.D.M. | |
| dc.contributor.author | Kerkhoff, A. | |
| dc.date.issued | 2015-08-31 | |
| dc.description.abstract | This master’s thesis explores the coming about of the cameraless photography of Wolfgang Tillmans out of his conventional photography and how chance and control play a role in their realization. Tillmans’ cameraless photographs originate from his figurative works, in which he allows chance to influence the picture. In his cameraless work, he purposely takes a coincidence and starts using it in a controlled way. His cameraless works are a way of broadening his photographic vision, they are concrete photographs. Tillmans combines these works with his figurative photographs in his installations in a postmodern manner. In his concrete works, he purposely tries to influence the interpretation of the viewer, by connoting these non-referential photos. On the other hand, he leaves a part of the interpretation open for the viewer by placing his photographs in a non-narrative way. By mixing photos, the connotation lies in the reception of the viewer. | en_US |
| dc.identifier.uri | http://theses.ubn.ru.nl/handle/123456789/498 | |
| dc.language.iso | nl | en_US |
| dc.thesis.faculty | Faculteit der Letteren | en_US |
| dc.thesis.specialisation | Kunstgeschiedenis | en_US |
| dc.thesis.studyprogramme | Master Kunst- en Cultuurwetenschappen | en_US |
| dc.thesis.type | Master | en_US |
| dc.title | Shaping the accidental: toeval en controle in de cameraloze fotografie van Wolfgang Tillmans | en_US |
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