Cosmopolitan or Xenophobia. On the construction of identity in Reggio nell'Emilia's Opera House (1875-1885).

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dc.contributor.advisorMeens, F.P.G.B.M.
dc.contributor.advisorFurnée, J.H.
dc.contributor.authorEyt, S.F.M.
dc.date.issued2017-08-15
dc.description.abstractThis thesis researches the construction of identity in the post-unification era of a northern Italian village, Reggio nell'Emilia. It describes the city's political and cultural elite and their influence over what was performed in the local opera house in order to establish into what narrative they saw themselves and their city. Subsequently it delves into what opera's were performed and what some of the responses to these performances were in order to establish if these narratives were accepted by a wider audience.en_US
dc.identifier.urihttp://theses.ubn.ru.nl/handle/123456789/5602
dc.language.isoenen_US
dc.thesis.facultyFaculteit der Letterenen_US
dc.thesis.specialisationGeschiedenis en Actualiteiten_US
dc.thesis.studyprogrammeMaster Geschiedenisen_US
dc.thesis.typeMasteren_US
dc.titleCosmopolitan or Xenophobia. On the construction of identity in Reggio nell'Emilia's Opera House (1875-1885).en_US
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