Where Body Meets Soul, Hildegard of Bingen’s Musical Notions Analysed Through the Lens of Embodied Cognition

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dc.contributor.advisorIhnat, K
dc.contributor.advisorShaffer, M.R.
dc.contributor.authorOudenampsen, J. (Jarl)
dc.date.issued2022-03-15
dc.description.abstractThis thesis researches the historical representation of the theory of musical embodied cognition (a theory which, in short, describes how people gain understanding from listening to or making music, through subtle, bodily experiences). The main authors used were Leonid Perlovsky and Arnie Cox, who both wrote intensively on the workings of embodied cognition in relation to music. To examine this theory's value for historical research, writings by 12th-century abbess, composer and religious writer Hildegard of Bingen have been analyzed through the lens of Cox and Perlosvky's writings. This led to the conclusion that Hildegard was indeed both very aware of and highly influenced by the embodied effects of music.en_US
dc.identifier.urihttps://theses.ubn.ru.nl/handle/123456789/13329
dc.language.isoenen_US
dc.thesis.facultyFaculteit der Letterenen_US
dc.thesis.specialisationBachelor Geschiedenisen_US
dc.thesis.studyprogrammeBachelor Geschiedenisen_US
dc.thesis.typeBacheloren_US
dc.titleWhere Body Meets Soul, Hildegard of Bingen’s Musical Notions Analysed Through the Lens of Embodied Cognitionen_US
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