Fragmented Bodies, Framed Desires: The Male Gaze from Animation to Live-Action
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2025-07-08
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en
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Abstract
This thesis aims to analyse the visual construction and representation of feminine bodies
in two influential series targeted at young girls: the animated series Winx Club (Rainbow S.p.A.
2004–2019) and its live-action adaptation Fate: The Winx Saga (Netflix 2021–2022). It
explores how visual techniques such as character design, framing, camera angles, and
movement, reinforce or challenge Laura Mulvey’s male gaze theory. Additionally, the research
examines whether the male gaze theory holds analytical value when applied to animated media.
Through close comparative analysis informed by feminist film theory, postfeminist media
studies, and adaptation theory, the thesis reveals that Winx Club more explicitly reinforces the
male gaze, while Fate employs more restrained techniques yet still upholds gendered visual
norms. Ultimately, these findings demonstrate how patriarchal aesthetics continue to shape
representations of femininity across different media forms. By examining the male gaze in these
popular series, the thesis calls for a re-evaluation of the visual narratives presented to young
audiences and encourages greater critical awareness of how media influences girls’ perceptions
of identity, power, and what it means to be seen.
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Faculteit der Letteren